Why Collect This Work

My paintings grow from a sustained practice of looking—at landscape, animals, and familiar forms—until they are reduced to what feels essential. I return to a single subject repeatedly, allowing subtle shifts in gesture, balance, and mood to emerge through repetition.

These works are not studies or illustrations. They are finished objects shaped by time, material sensitivity, and restraint. Surfaces evolve through layering, sanding, and revision until the image arrives at a state of quiet clarity.

Collectors are often drawn to this work for its presence rather than its immediacy. The paintings are made to be lived with, revealing themselves gradually through long-term attention. Each piece is framed as part of the work itself, forming a unified and enduring object.

The work lives quietly in private collections in the United States and internationally.